Posts Tagged ‘fashion’

McQueen’s Expedition

Thursday, February 11th, 2010

According to Merriam-Webster’s Dictionary, the first definition of the word “expedition” (noun), which had its origins in the 15th century, is: “a journey or excursion undertaken for a specific purpose”. Indeed, the 15th century was a period of intense exploration of new lands and ideas. The explorers themselves had to be a special breed of people: smart, curious, brave, savvy, and more than a little crazy. Columbus got the King and Queen of Spain to sponsor his most famous expedition, but that was after he had already raised considerable funds from other private financial investors.

So, to take an expedition, in its full sense, is not only risky, but very expensive and of course, dangerous. The pay off is potentially astronomical: you could discover a new land, treasures, cultures and riches.

On another, more meaningful level, an expedition means letting yourself go to places that normal people don’t dare go. It means thinking outside of your own comfort zones to explore what’s beyond the mundaneness of your everyday life.

Though we were so shocked and saddened to hear about Alexander McQueen’s sudden and unexpected death, I think it’s befitting to remember him as truly one of the most daring and successful explorers of our contemporary fashion community. His latest unearthing of remains from the lost city of Atlantis for his Spring 2010 show gave us some of the most beautifully grotesque creatures that he transformed into wearable art.

I loved that McQueen was gutsy enough to go there—to that place that Plato talked about, but no one’s found. I loved that he dabbled with monsters, insanity, and what many would consider ugly. He went there for us. He translated what’s considered untouchable and unspeakable into tangible, real things.

Truly, we will miss his magical expeditions.

Long live McQueen.

Pimp My Ride.

Sunday, November 1st, 2009

The 19th-century painter, Edgar Degas (1834-1917) remarked that “the frame is the pimp of painting; it enhances it, but it must never shine at the painting’s expense.” The Spanish philosopher José Ortega y Gasset (1893-1955) clarified this idea when he wrote “a picture without a frame has the air about it of a naked, despoiled man. Its contents seem to spill out over the four sides of the canvas and dissolve into the atmosphere.”

When contemplating a work of art, I think it’s commonplace to think away its framing device, whether it is a literal frame or even an ideological framing device.

In terms of Fashion, haute couture runway shows can be interpreted as framing devices. The framework of the runway show is the arena that functions as a safe haven for artists to translate their wildest, most provocative dreams and fantasies into a 3-5 minute story that is told through elaborate design and costume. In many respects, a lot of the designs experienced on the runway are not suitable (aesthetically, functionally) for everyday, ready-to-wear fashion. We require dissolution and simplification…boundaries.

While boundaries are no doubt a good thing, they are even better when they don’t “shine” on their own—at the artwork’s expense.

Find your arena in which to operate; live and create fully.

Nota bene: The Post- girls are not advocates for prostitution, in its most widely used definition.

Art & Identity

Monday, August 3rd, 2009

When I saw Robert Rauschenberg’s parachute costume that he designed for Antic Meet (1958), a performance choreographed by the recently passed Merce Cunningham, several thoughts came to me:

1. I love it.

2. I didn’t know Rauschenberg designed costumes/clothing.

3. It’s beautiful, light, flowy and comfy looking.

4. If I had one, I would wear it everyday…over leotards and leggings, with brightly-colored scarves, with long sweaters, with knee-high boots…

With the exception of #2, these are very similar to the thoughts that rush to my mind when I see a spectacularly designed piece of clothing or accessory (note the justification thinking in #4).

While not everyone might be a fan of the parachute dress, isn’t it wonderful to know that we shape our uniqueness with the creative energies garnered from artists/designers/choreographers/performers who make our world more provocative, interesting, and beautiful…

Bad.

Tuesday, June 2nd, 2009

We all have our opinions.

Opinions are valuable and good.

The following is a list of famous artists who I believe (not based on my own opinions, but through their public actions) fall into one of the two categories listed below:

“You think I’m bad? - Maybe I am”

1. Milli Vanilli

2. Tom Cruise

3. Britney Spears

4. Vincent Van Gogh

5. David Hasselhoff

“You think I’m bad? – Suck on it”

1. Madonna

2. Jeff Koons

3. Lady Gaga

4. Michelangelo

5. Alexander McQueen

Sure, ego is the big factor here.

And, while it’s good idea to keep your ego in check, sometimes it’s helpful in keeping it fresh, keeping it going, keeping it interesting.

Sometimes it’s good to be bad.

Suck on that.

The Hard Way

Monday, May 25th, 2009

Imagine this: You’re living in the Midwest.
Okay, close your mouth and unroll your eyes.

Try again.

You’re living in the Midwest…

You have a gorgeous and precocious child.

He grows up to be the star quarterback of his high school football team and senior class president.
He gets accepted to Yale.
You can’t afford to pay for Yale.
He tells you not to worry about it; that he can take care of it.
His good looks enable him to sign with a modeling agency in NYC.
He gets jobs for major labels such as Ralph Lauren and J. Crew.
He puts himself through Yale, majoring in Studio Arts.
He graduates in 1989.

By the mid-1990s, he is recognized as one of the most significant artists of the late 20th century.

Sound easy?

Not really.

Matthew Barney reminds us that it’s not always easy.

Art is hard.
Fashion is hard.
Hard provokes us, pushes us, makes us vulnerable and raw.

Who wouldn’t want it any other way?

Ice, Ice, Baby…

Wednesday, May 20th, 2009

The arrival of our “Apollo White” to round out our P3 collection has been on our brains lately. Named after the Apollo Space Program (1963-1972), which included launches to the moon during both summer and winter months, our belief is that white looks fabulous all year ‘round.  Like ice, white is good in the summer and pretty in the winter…

Post-Gaga

Saturday, May 16th, 2009

My new musical obsession with Lady Gaga doesn’t have much to do with her vocal talent, but with her commentary on pop culture through provocative music, lyrics, and video. A lot of people just see her as “wrong” in the way she pushes the boundaries of acceptability. I think her Post-Modern formula is quite genius; keep pushing forward.

Post-’s Mission Statement:

Post- takes its name from the prefix associated with art-historical movements that pushed the limitations of the established aesthetic order by introducing new styles that were provocative and revolutionary.

Post- seeks to blend form, function, and design from an art-historical viewpoint and understanding which results in a product that preserves the integrity of its inspiration while also moving forward concepts of design and fashion.

Lady Gaga Statement:

“I always loved rock and pop and theater. When I discovered Queen and David Bowie is when it really came together for me and I realized I could do all three,” says GaGa, who nicked her name from Queen’s song “Radio Gaga” and who cites rock star girlfriends, Peggy Bundy, and Donatella Versace as her fashion icons. “I look at those artists as icons in art. It’s not just about the music. It’s about the performance, the attitude, the look; it’s everything. And, that is where I live as an artist and that is what I want to accomplish.”

Trust Art

Thursday, February 19th, 2009

I’m on a big Yoko Ono kick right now, and I was excited to see her works featured among some other women artists at a panel of talks tonight. Her “Cut Piece” from 1964 (which she has reprised since then) invites people from her audience to approach her and cut off as little or as much of her clothing from her body. So, what does this have to do with fashion? I’m not really sure—but it’s got me thinking about fashion design as a sculptural process that involves trust and vulnerability—some of the key concepts underlying Yoko’s piece. I think successful designers incorporate both of these elements into their process—taking risks that make them vulnerable, but trusting that the end result will be nothing but fabulous.